Showing posts with label Tracy Letts. Show all posts
Showing posts with label Tracy Letts. Show all posts

Friday, November 17, 2017

'Lady Bird'

'Lady Bird' Movie Review
'Lady Bird'
Posted on Nov. 17, 2017 on CWAtlanta.cbslocal.com

Photo courtesy of A24

Lady Bird (2017)

From Lady Bird’s first scene to its last, the film nails the angst, wonder, sorrow, and fun of one young woman’s journey as she navigates the halls and parties of her senior year in the high school. The film opens with Christine ‘Lady Bird ‘McPherson (Saoirse Ronan), and her mother are coming back from a long trip visiting a prospective college with her very opinionated mother, Marion (Laurie Metcalf). Their relationship is summed up in their conversation, which goes from enjoyment to downright despite in what seems like seconds. As the argument gets heated, Lady Bird gets so fed up that she opens her door and rolls out of the car, no matter that she will get hurt. The heart of the film is this mother/daughter dynamic; mom can’t help herself from constantly criticizing her daughter and daughter can’t understand why her mom won’t just let her alone, let her live her life the way she wants to. Caught in between this constant war of wills is Lady Bird’s father, Larry (Tracy Letts), an even-keeled kind of guy who can see the points of view of both of the women in his life. Complicating things is Larry and Marion’s adopted older boy, Miguel (Jordan Rodriques) who, though he has graduated from college, lives at home with his girlfriend Shelly (Marielle Scott) and works as a grocery store clerk in town.

Lady Bird, who continually reminds people not to use her real name, is a high school girl who when she makes her mind up, acts on those decisions without doubt or hesitation. When she sees a cute boy Danny (Lucas Hedges) look at her in class, she sees it as an opportunity to talk to him, instantly letting him know that she is willing to go out with him. When told by a counselor that she might like theatre, she drags her best friend, Julie (Beanie Feldstein) to a tryout and gets cast in the school’s musical. When told by her mother that she should go to a local college, Lady Bird instead applies for schools on the East Coast, even though she has been told she doesn’t have the grades or the money to get in.

Lady Bird is all about dreaming for a better life. She desperately wants out of Sacramento, where she lives, thinking. Lady Bird and Julie fantasize about living in a big house, one that they walk by almost every day on their way to school. Like all teenagers, she is susceptible to following fads and other’s tastes. When she sees a boy she is interested in reading Howard Zinn’s People’s History of the United States; she starts reading it too.

The film takes place between 2002 and 2003, so 9/11 and the Iraq War fill the TV. It’s a time where you had email, but there wasn’t iPhones or Snapchat to obsess over, so Lady Bird’s obsessions are boys, theatre (for a while) and getting into a college far away from Sacramento. Like any other high school girl, Lady Bird is all about boys and finding someone to date. When she sees an opportunity to be a part of the ‘in’ crowd by helping out the most popular girl, Jenna (Odeya Rush), she goes for it, dropping her best friend Julie without putting any thought to the consequences.

Lady Bird moves at a quick pace as it shows snippets of Lady Bird’s life throughout her senior year and is filled with memorable moments, like Lady Bird getting into a debate with a pro-life speaker at an assembly, that leads to her getting suspended from school. Her first time having sex has a beautiful moment where she realizes that the too cool boy that she has fantasized about is not as caring and cool as she thought he was. It’s these moments that hit the hardest, that make this such a memorable film.

Saoirse Ronan gives the performance of a lifetime, making Lady Bird seem so real and making it a moving experience to watch her up on the screen. Ronan is a joy to watch, as she brings life to every scene that she is in. Ronan is perfect as the teenager who is desperate to get out from under her mother’s gaze and is ready to make her place in the world. It’s a performance that will surely be rewarded by the upcoming end of the year awards and hopefully, next year’s Academy Awards.

Equally up to the task is Laurie Metcalf who plays the mom that can’t keep her opinions about her daughter to herself. It’s to Metcalf’s acting prowess that we don’t hate Marion, in fact, we know through Metcalf’s actions and body language that she loves her daughter, she just doesn’t know how to relate to her.

Writer/director Greta Gerwig has done the impossible; making a coming of age film about a teen girl seems fresh and not contrived. Lady Bird is an enchanting film that is full of surprises, meaningful moments and performances that you don’t want to miss. Lady Bird was so unbelievably great that I didn’t want it to end.    My Rating: I Would Pay to See it Again

My movie rating system from Best to Worst:  1). I Would Pay to See it Again  2). Full Price  3). Bargain Matinee  4). Cable  5). You Would Have to Pay Me to See it Again

Lady Bird Website




Friday, November 11, 2016

"Christine"

"Christine" Movie Review
"Christine"
Posted on Nov. 11, 2016 on CWAtlanta.cbslocal.com


“Christine” (2016)


When we first see Christine (Rebecca Hall), a reporter for a small television station in Sarasota, Florida, she is sitting at an empty table in front of some Television cameras. She is practicing her interview techniques pretending to question President Nixon about Watergate. A back door opens and in is wheeled a new piece of equipment, being received by Jean (Maria Dizzia), a producer at the station. Christine questions Jean if she thinks on her last report she was too sympathetic. Jean replies that “You can never be too sympathetic.”

We cut to Jean and Christine watching a report that Christine is getting ready to go on air within tonight’s newscast. Christine keeps nitpicking her performance, where Jean keeps telling her that her performance is fine. The news director (Tracy Letts) stops by and tells the two women that they have a meeting in five minutes. As soon as he leaves the two women make fun of him, doing bad imitations of what he just told them.

In the meeting, the news director gets into an argument with Christine because she wants to work more on her zoning story and not go out and cover a fire. Christine argues that the news should be more issue oriented and not just cut and dried news stories.

The team gets ready for the newscast, and Christine is still making changes to her piece. She decides three minutes before her piece is to air to use a bit on film that she had cut earlier. Christine gets Jean to cut the piece as she puts on her blazer, grabs her copy and heads to the studio, arriving seconds before she is introduced. She intros the piece and then sits back, pleased with how it all came together, even getting a wink from the anchor of the news, George (Michael C. Hall).

We cut to Christine singing loudly and passionately with a John Denver song as she drives down the road. When she passes a car, she checks to see if her window is all the way up. We then see that Christine is performing a puppet show for some sick kids. After her show, she talks with a nurse about problems she has been having with her stomach.

She meets with her mom (J. Smith-Cameron) for dinner at a local restaurant. We see that their relationship seems more like two sisters than a mother/daughter relationship. At home, we see that they live together and Christine doesn’t want to talk about celebrating her birthday.

The next day, Christine gets into a heated discussion with the news director over the direction of the station’s news product. He wants them to start doing stories that will get ratings, citing the term “If it bleeds, it leads.” Christine sees this as the wrong way to go, believing that news should inform and tackle issues, not just air reports about car wrecks and house fires. The news world is changing, and Christine is going to have to make compromises if she wants to stay in the news game, compromises she might not be able to handle.

Director Antonio Campos brings us this film based on a real person, Christine Chubbuck, a troubled and awkward reporter who had lofty goals but was probably destined to work in small markets for the rest of her career. Campos does the almost impossible, making Christine a sympathetic character, humanizing a very complicated person who had a lot of problems. The year the film takes place is 1974, due to the Vietnam War and Watergate, the news world was changing, and Christine was trying to adapt, but not very well. Like the film camera that Christine uses, she is out of date with a world that is changing quickly.

Much of the credit for making a rigid and sometimes unlikable person come to life is Rebecca Hall. Her performance is dazzling, as she makes this socially awkward, determined person come to life. Hall has Christine’s mannerism down, making her a person who has trouble relating to ideas such as dating or dealing with a boss you don’t agree with. Hall works well with the other actors in the film, especially Michael C. Hall, who plays George, the cocky anchor that Christine is so enamored with. Hall’s body language changes when Christine is in the room with George as if she doesn’t quite know how to inhabit the same space. Maria Dizzia, has excellent chemistry with Hall, playing Christine’s one and only friend. J. Smith-Cameron is tremendous as Christine’s mom who is self-centered and never actually sees how troubled her child is.

The production design by Scott Kuzio and art direction by Molly Bailey are impressive, as they recreate a small TV station in the mid-70s down to the details of working quad tape machines and hand cranking film viewers. The dialogue, by screenwriter Craig Shilowich, is sharp and energetic, giving the newsroom a look and feel that seems real.

While I did not enjoy the final scenes of the film, those can be overlooked because of the Academy Award level performance by Rebecca Hall. You may not always like Christine, but because of Hall, you get to know her and understand why she ultimately did what she did.    My Rating: Full Price

My movie rating system from Best to Worst:  1). I Would Pay to See it Again  2). Full Price  3). Bargain Matinee  4). Cable  5). You Would Have to Pay Me to See it Again

“Christine” Website

The film is playing in Atlanta at Landmark Midtown Art Cinema and Lefont Sandy Springs