Showing posts with label Dolly Wells. Show all posts
Showing posts with label Dolly Wells. Show all posts

Saturday, September 2, 2017

'I Do...Until I Don't'

'I Do...Until I Don't' Movie Review
'I Do...Until I Don't'
Posted on Sept. 1, 2017 on CWAtlanta.cbslocal.com



I Do…Until I Don’t (2017)

As a narrator talks about marriage and how it’s for life, we see a funeral taking place. We see a bunch of tombstones with inscriptions such as “Beloved Wife” or “Fidelity and Death.” The narrator talks about the word ‘betrothed’ which is another word for ‘pledge’ and how we give the ‘Pledge of Allegiance’ and then throw trash out our car window. The narrator talks about how we aren’t meant to be married for too long now that we are living into our eighties and nineties, all the while we see shots of happy people getting married. We go back to the funeral, with everyone in mourning while the narrator continues to talk how we aren’t meant to living with the same person for fifty years. The narrator says that we either have two choices; we can die early or rethink the system.

We cut to Harvey (Paul Reiser) and Cybil (Mary Steenburgen) that are at the funeral. Harvey and Cybil, are a couple that has been married for a long time. They are both unhappy, not because they are at a funeral, but because they are tired of living with each other. We cut to documentary filmmaker Vivian (Dolly Wells), who has been our narrator. She is giving a speech to the ‘Vero Beach Cultural Society’ on her idea that marriage should only be a seven-year contract with an option to renew. Alice (Lake Bell) is sitting the audience and stands up to ask a question. Alice tells Vivian that she loved her earlier film and wants to know why Vivian selected Vero Beach to make her film. She has picked Vero Beach because it’s the divorce capital of America and it’s the basis of her new movie.

We cut to the window and blinds store that Alice and her husband, Noah (Ed Helms). Noah is using a towel to mop up some water that has fallen from the ceiling. Alice is going on and on about Vivian’s presentation and how much she admires her. Neither one of them is listening to the other one as Noah is talking about how bad business is. Alice has come up with a bunch of slogans to make the shop appear more modern. Noah brings up the fact that he knows that Alice is ovulating (he has an app for that) and suggests they have sex in the bathroom.

We cut to Vivian and her assistant standing outside in front of a restaurant. Vivian gets into an argument with her ex-husband over the phone, hangs up on him, and Vivian and her assistant go into the restaurant. Inside Cybil is dictating an email on her phone as we see through a window that Harvey has arrived on a motorcycle in full biker attire, including a black helmet. Harvey sits down across from Cybil and refuses to take off his helmet, just to annoy Cybil. It’s obvious that this marriage is not working and it seems that Cybil and Harvey have contempt for each other. Harvey leaves to go to the bathroom, and Vivian uses that moment to ask Cybil if she and Harvey want to be in her movie. Cybil negotiates payment and promises that the film will end with her divorce from Harvey. Vivian is about to get involved with the lives of not just Mary and Harvey, but a whole host of couples including Alice and Noah and she just might change all their lives.

I loved writer/director/actress Lake Bell’s In a World… film from 2012. I thought it was original, bright and hilarious. Unfortunately, I Do… Until I Don’t doesn’t have those qualities that In A World… had. The film is an ensemble comedy, and I think that’s where Bell went wrong. There are just too many characters in the movie that you just don’t care about. Vivian, the documentary filmmaker, is the character that mucks up this film. Every scene with her seems to suck the life out of the movie. Vivian is the least interesting character in the film, but the way the plot is laid out she interacts with all the couples and therefore has a lot of screen time. Bell has created a character in Vivian that is grating and predictable. When I was thinking about this film, I wondered if this would have been a better film if Bell had just had Vivian give the speech at the start of the film, with all the couples attending and then maybe appear at the end as a narrator, cut her out of most of the movie. There aren’t many laughs in this film and boy; it could use some. The plot is predictable, and you can see the ending to this film almost from the start.

Lake Bell and Ed Helms work well together on screen and feel like a real couple. There are some interesting scenes between the two, and you can feel the love the two characters have for each other on the screen. I also like Paul Reiser and Mary Steenburgen in the film. They also seem like real people that are stuck in a marriage that neither of them wants. There is a third couple in the film; two free spirits who have an open relationship, played by Amber Heard and Wyatt Cenac, are the weakest characters of the three couples. Their hippie, everything is cool wears out very quickly, with Heard playing Bell’s sister, who is just there to contrast with Bell’s straight-laced character.

I Do…Until I Don’t is an uninspired mess of a film that rarely is funny and most of the film is dull and tame. Instead of originality, we get a movie that seems to use every plot device of a bad TV comedy from the 80s to try and find laughter. I love Lake Bell as an actress and look forward to her next film she decides to write and direct, but I hope I never have to see this film again.   My Rating: Cable

My movie rating system from Best to Worst:  1). I Would Pay to See it Again  2). Full Price  3). Bargain Matinee  4). Cable  5). You Would Have to Pay Me to See it Again

I Do…Until I Don’t Website

 

Friday, January 22, 2016

"45 Years"

My review of "45 Years" starring Charlotte Rampling, Tom Courtenay, Geraldine James.
"45 Years"
Posted on Jan. 22, 2016 on CWAtlanta.cbslocal.com

Photo courtesy of IFC Films

"45 Years"  (2015)

Geoff (Tom Courtenay) and Kate (Charlotte Rampling) have been married for 45 years. They have a nice, settled life. Kate likes to take walks out in the country with their dog. Geoff is more of a homebody, taking lots of naps in the easy chair in the den. Due to illness, they were not able to celebrate their 40th wedding anniversary, so they are determined to celebrate their 45th anniversary in five days. It’s very apparent that they care for each other and have fun interacting although Geoff always seems a little slow to pick up what Kate is saying or doing. It’s obvious that Geoff isn’t as well as Kate, with Kate doing most of the heavy lifting in the relationship.

Geoff, out of the blue, gets a letter in German that tells him the body of an old love from before he Kate has been found.  They were hiking across Europe in 1962. While in the mountains, she fell, her body lost in the snow and rock.  It shocks Geoff who wants to go to Switzerland and help in the burial, since his former love might not have any surviving family members. This ghost from the past is going to test their marriage in ways that they never could expect and maybe break up this old, seemingly happy couple.

This is a film that moves slowly but brilliantly, as the relationship between Geoff and Kate starts coming apart the closer to the anniversary we get. Reliving the past is tough on Geoff as he retreats further into his thoughts and spends less time with his wife. He starts taking long walks into the local town, something that he wouldn’t have done before the letter. Kate becomes frustrated, as Geoff falls into a spiral of despair. Kate has to also come to terms with the fact that while she knew about his former love, she never knew how deep and meaningful it was to him. It kills her to think that their love isn’t as strong as the love he had for the other woman.

Director/writer Andrew Haigh, adapting a short story by David Constantine, has done a masterful job of bringing this moving and heartbreaking film to the screen. He creates tension slowly, as the couple deals desperately with the growing chasm between them as the anniversary party creeps closer day by day. Clocks seem to be in every shot, and Kate even contemplates buying her husband an anniversary watch but decides against it. It’s as if time is now the enemy of the couple, as the world they used to know and love slowly ticks away. Haigh’s directing is aided by cinematographer Lol Crawley, who creates a world that seems to be getting darker as the week progresses.

Charlotte Rampling and Tom Courtenay are brilliant together on the screen. Their interaction makes it seem that they truly have been with each other for those 45 years. There is a brilliant scene in the film, where Kate comes home to find Geoff has cut his hand. We don’t know if we believe his story of trying to make a repair to the commode, or if he is covering up for attempting to find his old girlfriends letters in the attic. It’s a moving scene, their unspoken worries weighing down of them. Courtenay gives a masterful performance but this is Rampling’s film, and she dominates it as her character slowly gives away to the ache and agony of the situation. Rambling gives a complex performance that encompasses everything from confusion to pain and finally to jealousy. It’s a performance that is more than worthy of her Academy Award nomination for Best Actress.

“45 Years” is a touching film that will stay with you for a long time. There is a scene near the end of the movie where Rampling takes your breath away; the look she gives is just so painful to experience. We don’t know if their marriage survives this; we just know it will never be the same.    My Rating: I Would Pay to See it Again 

My movie rating system from Best to Worst:  1). I Would Pay to See it Again  2). Full Price  3). Bargain Matinee  4). Cable  5). You Would Have to Pay Me to See it Again

The film is playing in the Atlanta area exclusively at UA Tara Cinemas 4