Friday, March 23, 2018

'I Kill Giants'

'I Kill Giants' Movie Review
'I Kill Giants'
Posted 3/23/18 on CWAtlanta.cbslocal.com
Photo courtesy of RLJ Entertainment
"I Kill Giants"  (2017)

We open up with Barbara (Madison Wolfe, a young girl, looking out at the countryside. We seed her riding her bike towards the woods, pulling behind her a wagon filled with stuff. She parks her bike by a tree and grabs a bottle full of red liquid. She finds some mushrooms growing in the forest and with a small knife, scrapes some fungus off the mushrooms and puts the scrapings into the bottle. She adds other ingredients to the bottle, including a yellow gummy bear. She shakes the bottle until she is startled by a noise. She gets up and hides behind a tree, peering around it to see what made the noise. Convinced that nothing is out there, she grabs her bike and begins traveling through the woods, pouring the red liquid onto plants and trees. There is a close-up of an owl, as a shadow moves across its face. A flock of birds flees the forest and then we see a giant hand, all leathery with claws, scrape some of the red liquid off of the tree. Barbara appears in the distance, as she has been spying on the tree, looking for the monster who just touched the red liquid.

We cut to the house where Barbara lives, and we see that she has been testing ‘Bait Juice” from a book she has, adding a check mark under the ‘red juice.’ Barbara is in a room that is filled with Knick Knacks and candles. She places a heart-shaped purse on the table in front of her and spreads some glitter on the purse. She kisses the purse and then says ‘Long be unbroken’ before blowing the glitter off the purse.

We see that Barbara’s house is right by a body of water. Inside, Barbara is playing Dungeons and Dragons by herself, while her sister, Karen (Imogen Poots) cooks dinner while talking on the phone. Barbara’s older brother is playing video games with two of his friends. Barbara asks them to be little quieter, and instead, they get louder, playing with more fervor. She rolls the dice on the table, visibly upset and then pulls the cord on the video game, turning it off. She tells her brother that the dice told her to do it. Karen brings dinner over to the table, and Barbara’s brother comes over, grabs the dice and smashes the dice into the skillet, splashing the dish over everything. Barbara’s brother and sister both angrily walk out of the room, leaving Barbara behind as she picks the dice out of the meal.

Barbara sits outside on the steps of her house, looking out at the sea as her sister comes down to sit by her. Karen tells Barbara that she would play the game with her if Barbara asked. Judging by how Barbara reacts, she knows that will never happen. Barbara pulls out a strange spyglass and studies the sky. She pans down to the water, and we see that something substantial under the sea is making unnatural waves happen. She changes a lens on the spyglass and looks to see that the waves have disappeared. Barbara steps inside the house and hears voices coming from upstairs. It is apparent that whoever is up there scares her, and Barbara rushes out of the room. Barbara goes down into the basement, where baseballs and a Phillies pennant hang on the wall. Barbara listens to an old tape recording of a baseball game. Barbara is sewing something on her heart-shaped purse when she accidentally sticks her finger with the needle, causing it to bleed. She spreads her blood onto the inside of the purse and begins a spell to give Barbara courage. What kind of battle is Barbara gearing up for and what was that thing out in the woods?

Director Anders Walter brings us a tale of a young woman battling giants; we just don’t know if those giants are real or inside Barbara’s head. Based on a graphic novel of the same name, I Kill Giants is a story about a troubled girl who believes that the town she lives in is being threatened by giants. Something happened in Barbara’s past that has caused her to retreat from everyday life and go into the fantasy world where Barbara believes that she is destined to battle a giant. Walter treats his subject with warmth and respect, letting us realize that yes, Barbara is an oddball and can be grating at times, but still making us root for her. Barbara. Walter and screenwriter Joe Kelly (who also co-wrote the graphic novel) has created a character in Barbara, who is fierce and determined, ready to do the task alone. It’s a magical world that Walter has created, and I especially enjoyed the buildup of the storyline, letting us get to know Barbara and her two worlds that make up her life. Aided by a score from composer Larent Perez Del Mar, it’s a rich landscape of a film that has a dark edge to it like there is always something that you can’t see waiting to cause problems.

The film is greatly aided by a strong and talented cast. Zoe Saldana plays the school psychologist who tries time after time to somehow understand why Barbara is the way she is. Saldana brings substance to the role, making her character one of the few people in the film that cares about Barbara, constantly reaching out to her. Sydney Wade plays Sophia, a new girl in town who befriends Barbara and even starts to buy into the idea that giants are threatening the town. The girls also take on a bully at school named Taylor (Rory Jackson). Wade plays off of Wolfe skillfully, and the two work well together on the screen. While not given much to do, Imogen Poots still puts a little life into the scenes she is in as the put-upon sister. Make no mistake about it; this is Madison Wolfe’s movie. Wolfe is in almost every scene, most of them by herself as Barbara battles through life. Wolfe is asked to play a multi-layered part, one that she excels at, giving Barbara life. Wolfe has a significant presence on the screen, and she is the focus of every scene that she is in. It’s a strong performance that Wolfe tackles with a fierceness, much like the character that she plays.

I Kill Giants is not your ordinary coming of age tale. My only quibble with the film is the ending to the film, which tries to wrap things up too neatly. Overall Anders Walter has given us a film that has some magical moments and a main character who is fascinating to watch. Be sure to see I Kill Giants in the theatre; it deserves the big screen.   My Rating: Full Price

My movie rating system from Best to Worst:  1). I Would Pay to See it Again  2). Full Price  3). Bargain Matinee  4). Cable  5). You Would Have to Pay Me to See it Again


Friday, March 16, 2018

'Oh Lucy'

'Oh Lucy!' Movie Review
'Oh Lucy'
Posted on March 16, 2018 on CWAtlanta.cbslocal.com
Photo courtesy of Film Movement

'Oh Lucy!'    (2017)

We open on a crowded train platform. We see Setsuko (Shinobu Terajima) staring absentmindedly off into space. As an express-train speeds through the terminal, a young man standing behind Setsuko tells her ‘good-bye” and then jumps onto the tracks, getting hit by the speeding train. Setsuko looks on shocked at what she just saw as other people get their cell phones out and start taking pictures of the dead man.

We see Setsuko smoking in a smoking area, once again staring off into the distance. We next cut to a break room where Setsuko is washing out a teapot as other office workers complain about getting candy from a fellow office worker. That office worker comes in and gives Setsuko a candy bar as the other workers laugh and then leave. The worker asks Setsuko if she saw the suicide. Setsuko doesn’t respond as the office worker rambles on about how she has never seen one, even though they happen all the time. The office work pushes Setsuko away from the sink, telling her that she will handle the tea making for this morning.

Setsuko is now at her desk when she gets a call from her niece, Mika (Shioli Kutsuna). They talk about Mika’s mother, who Mika describes as “That bitch!” You can tell from Setsuko’s expression that she agrees with Mika’s opinion. They set up a lunch date because Mika wants to talk to Setsuko about something. Setsuko’s boss, from his desk, admonishes Setsuko about her constant need to smoke, telling her that she should quit and maybe eat sweets instead. Setsuko just nods agreement to her boss and goes back to work. Setsuko pulls out the candy that the office worker and put’s in a desk drawer full of candy, all unopened.

We cut to downtown as Setsuko crosses the street slowly as other people quickly pass by her. Setsuko arrives at the cafe, which has a kitschy theme, with waitresses in short maid outfits. Mika, also in a skimpy maid costume comes over to Setsuko and greets her aunt warmly. Mika takes Setsuko to a table and begins serving her tea, telling her when she fills the cup with milk, Setsuko is to ‘meow like a little kitty” for Mika to stop, which Setsuko does. Mika tells her that she is going to put a spell on the tea. Mika then stirs the tea while saying ‘Become more delicious,” finishing by doing the heart sign with her hands. Mika and Setsuko begin talking about Mika’s mother. We find out that Mika’s father left her mother and that before Mika’s mother dated her mother, Setsuko dated him. Mika ask’s why Setsuko has never been married to which Setsuko replies “That’s none of your business.’ Mika tells Setsuko that she wants her to take an English class for her. Mika has been taking it for six months and loves it. Mika tells Setsuko that she needs the money and can’t get a refund for the rest of the year. Mika wants Setsuko to pay her for the rest of the year and take the class in her place. Setsuko agrees to try the class out. It’s obvious the way that they treat each other that Mika and Setsuko care for each other. We cut to Setsuko heading into the building that houses the English class. It’s a class that is going to change Setsuko’s life forever.

Writer/director Atsuko Hirayanagi gives us a brilliant and moving tale of a woman on a journey of self-discovery, searching desperately for love and companionship. The film is quirky, often a little weird as Setsuko, the chain-smoking unhappy woman, looks for something that can make her happy. Hirayanagi has created a character in Setsuko, who is unlikable because she often puts her needs in front, sometimes hurting other people was she does so. It’s to Hirayanagi’s and actress Shinobu Terajima credit that by the end to the film we are rooting for Setsuko, despite her character flaws. Hirayanagi characters in this film are slowly revealed to us, peeling back layers little by little, so that we understand why people in this film, like Setsuko, do the things that they do. What I loved about this film is you get to see how people work and live in Japan in contrast to Southern California, where Setsuko ends up in her quest to find her niece. The devices between the two cultures are immense, and Hirayanagi lets us see all this through the eyes of Setsuko, who goes from being very passive in Japan to very aggressive in California. The film feels very real and honest as it takes Setsuko on her journey. It’s funny to call this film charming and delightful because Setsuko is so unhappy for much of the film, but because she is such odd and unusual character, you come away with the feeling that it is so appealing and engrossing.

Shinobu Terajima gives a tour de force performance, making us love Setsuko in spite of her ways. It’s a powerful and bewitching performance as Terajima dominates the screen in every scene. You can’t take your eyes off of Setsuko because you don’t know what she is going to do next. Terajima gives Setsuko a magnetizing presence on the screen, and it’s just fascinating. Kaho Minami plays Mika’s mom, Ayako, who joins Setsuko on her journey to the states. They play off each other with a feistiness that makes us believe their characters despise each other. The two figures contradict each other as Setsuko is ready to embrace America and Ayako wants to get her daughter and go home to Japan as soon as possible.

Oh Lucy! is a beautiful film filled with damaged people, most of which are self-centered and selfish, but in spite of that, it’s a journey will want to take with Setsuko, as her quest will stay with long after seeing the film.    My Rating: Full Price 

My movie rating system from Best to Worst:  1). I Would Pay to See it Again  2). Full Price  3). Bargain Matinee  4). Cable  5). You Would Have to Pay Me to See it Again

The film is playing in Atlanta exclusively at Landmark Midtown Art Cinema

Oh Lucy! website 



Friday, March 9, 2018

'The Cured'

'The Cured' Movie Review
'The Cured'
Posted on March 9, 2018 on FanBolt.com
Photo courtesy of IFC Films

The Cured (2017)

For years, the Maze Virus spread across the world, turning people into zombies. Most of the world was able to contain the virus, but Ireland was hit particularly hard. Eventually, a cure was found, but it only cured 75 percent of those infected. There was just one problem; the cured remember what they did while they were zombies.

While the government debates on what to do with those remaining 25 percent, the cured are returning to their homes and families.

We open up with a shot of someone breathing very heavily, with a close-up shot of a tennis shoe with blood dripping on it. We next see a close-up of bloody and battered hands. A drooling mouth, then we see Senan (Sam Keeley) who is apparently a zombie, and we briefly see Senan attack someone.

We cut to a cured Senan looking at his eyes into the mirror, checking to make sure that he isn’t showing any signs of being a zombie. We cut to Senan sitting upon the bathroom floor, and it’s obvious that something is bothering Senan. We hear the door open and in walks Conor (Tom Vaughan-Lawlor), another cured, who sits down next to Senan. They talk about what it’s going to be like going back home. Even though Conor says it’s going to be ok, it’s very evident that they are both worried about what reception they will get.

A military man who goes by the name Cantor (Stuart Graham) is interviewing Senan, asking how long Senan was a zombie. It’s apparent that the Cantor does not like the cured. Cantor tells Senan that it’s good that he is having nightmares because it reminds Senan what horrible things he did as a zombie. The Cantor lays down the law to Senan, telling him that if he does everything he is told to do, his life will be “better.” Senan finds out that his sister-in-law has agreed to take him in.

We see that Senan is about to board a bus along with a bunch of other cured people, filing past UN soldiers. Everyone on the bus looks worried and pensive as they drive by the tents of the UN soldiers. As they ride down the road, we hear talk radio discuss whether the cured should come back to their old neighborhoods. It’s very evident that it’s a divided country, and passions are high. People have lost loved ones to zombies and don’t want the people that killed them living among them.

They arrive at their destination, and the bus is immediately attacked by objects, as protesters shout obscenities. They get out as the UN soldiers hold the crowd back. Among the chaos, Connor and Senan say their good-byes. It is evident that they care for each other and need each other’s support. As Connor hugs Senan, he tells Senan “Don’t tell her.” They promise to look out for each other, and then they go their separate ways. What is going to happen to Senan and Connor in this world that has changed so much since they were turned into zombies?

Writer/director David Freyne has brought us a remarkable twist on the zombie genre. The Cured makeup is more psychological than horror (though there are still some horrifying zombies in the film). Filled with mounting tension, the film keeps us guessing on what the outcome is going to be. It explores a number of themes, including racism, genocide, forgiveness, and atonement. The film also explores the reasons for why someone would join a terrorist organization as some of the cured join forces to fight anti-cured grassroots organizations, with a big salute to the old IRA days. Freyne handles the action sequences with aplomb and are exciting and terrifying, with most of the sequences shown in flashback.

There are some spectacular performances in this film, including Ellen Page, who plays Abby, who is still getting over the loss her husband in the initial zombie attack and Sam Keeley, who plays Senan, her brother-in-law and is going to live with Abby and her young son. Page is brilliant as the grieving widow, the pain of her loss showing not only in her face but her body language. Sam Keeley goes through a number of emotions as Senan, a man who is racked with guilt about what he did as a zombie. All Senan wants to do is have things return to normal, but that seems to be an impossible dream. Keeley and Page work well together on the screen, but it’s the relationship between Connor and Senan that dominates the film. Connor is the leader of the two, as Senan depends on Connor to help him deal with the current reality.

The Cured is a taut psychological thriller that surprises you at every turn and puts the zombie genre in a whole new light.    My Rating: Full Price

My movie rating system from Best to Worst:  1). I Would Pay to See it Again  2). Full Price  3). Bargain Matinee  4). Cable  5). You Would Have to Pay Me to See it Again

The Cured Info