"Certain Women"

"Certain Women" Movie Review

"Certain Women"

Posted on Oct. 28, 2016 on CWAtlanta.cbslocal.com

Wayback Machine Archive Post

“Certain Women” (2016)

When we first meet Laura (Laura Dern), she is lounging on a bed while her lover (James LeGros) is getting dressed. We will soon learn that her lover, Ryan, is a married man, and they are sleeping together during her lunch hour. It doesn’t seem to us that she is happy about returning to her job and tries to get Ryan to stay with her a little longer. She soon leaves her home and heads with her dog to her law office in a small town in Montana.

Waiting for her at her office, much to her abhorrence, is a client of hers, Fuller (Jared Harris). He is there to talk about his personal injury case. It is very evident that Fuller is not convinced that Laura is working her hardest for his case, and it also seems as if Fuller is more interested in spending time in the office with her than moving along his case. She finally shoos him away with a promise that they will meet with a lawyer who specializes in that type of case.

Later, Laura and Fuller are at another attorney’s office. He explains that since Fuller took payment from his company for the accident, he has no way to sue for more money. Fuller, much to the bewilderment of Laura, Fuller takes the news calmly and accepting. Fuller leaves and Laura comments to the other lawyer that she has been telling him just what she has been telling him for nine months. We cut to Laura in her car in a parking lot as she speaks in amazement with Ryan on how Fuller probably would have accepted her conclusions nine months ago if she was a man. Just then a car stops suddenly in front of her, and Fuller jumps out of the car yelling. The car speeds off, and Laura realizes she is going to have to give Fuller a ride back to their city. It’s a ride that Laura will soon regret as that ride will have lasting effects.

This is the start of writer/director Kelly Reichardt’s brilliant look into the lives of four very lonely women longing for something more. Laura Dern plays Laura, who is having trouble with a reckless and quick-to-anger client in Fuller, all the while not happy and very bored with her job and her personal life. Michelle Williams plays Gina, a mom that is married to an indifferent man, Ryan and has a daughter, Guthrie (Sara Rodier) who resents Gina’s attempts at parenting. Kristen Stewart plays Beth, a woman who recently became an attorney and begins teaching a night course on “school law” in a city four hours away. Lily Gladstone plays Jamie, a young woman working with horses on a ranch and becomes enamored with Kristen Stewart’s character.

Reichardt, who wrote the script based on the short stories of Maile Meloy, brings us a story that is low-key and often slow-moving, but that allows you to get under the skin of each character. What we see are slices of four lives. Those lives are real and powerful. The cinematography by Christopher Blauvelt is exquisite, full of dark colors contrasting with the light snow that seems to be continually falling. Reichardt uses these colors to make her characters seem even lonelier and isolated. These women, even Maggie, are almost always alone, whether it’s Gina lingering on a trail after a run or Jamie working on the ranch. Reichardt also uses long shots to show even Laura, in the midst of a small-town street, is isolated from the rest of the residents walking the streets.

This is a film that, while not a whole lot happens, it will linger with you for days because the performances of the four actresses are so powerful and real. I especially savored the performance of Lily Gladstone, who plays a soft-spoken woman who befriends the teacher, played by Stewart. She rarely speaks in the film but is so expressive in her features and body language. Her character is lonely, alone on a big ranch and is searching for someone to connect with, even if it means going to a class that she never intended to attend. Her performance is heartbreaking, especially the shots of her standing in the parking lot, watching Beth seemingly forever driving off.

“Certain Women” is a superb film full of small moments, most of which are poignant and distressing. It’s a look into the lives of four very lonely women hoping that they will eventually find happiness, even if it is short-lived.    My Rating: I Would Pay to See It Again

My movie rating system from Best to Worst:  1). I Would Pay to See it Again  2). Full Price  3). Bargain Matinee  4). Cable  5). You Would Have to Pay Me to See it Again

“Certain Women” Website

The film is playing exclusively at Regal Tara Cinemas 4

"Bleed for This"

"Bleed for This" Movie Review

"Bleed for This"

Posted on Oct. 26, 2016 on CWAtlanta.cbslocal.com

Wayback Machine Archive Post

“Bleed for This” Savannah Film Festival Movie Review

 

Film was reviewed at the Savannah Film Festival screening.

We see a big Las Vegas meeting room where a press conference is being conducted to do a weigh-in of two boxers. The camera scans the crowd of reporters and participants in the room. Some are bored; some are nervous, and a bunch are just mad. Champ Roger Mayweather and his camp are ready to leave. Lou Duva (Ted Levine) announces that Vinny has gone to the wrong hotel and is on his way. A exacerbated WBC official announces that the weigh-in is going to proceed and that Vinny Paz, the challenger has 15 minutes to get there. Lou calls the hotel room that Vinny is in with his girlfriend, looking bored, answers as what sound like bedsprings makes noise in the background. The camera pans over to see Vinny riding furiously on an exercise bike while a man is wrapping him in saran wrap, all in an effort for Vinny to lose a few extra pounds and make the fighting weight.

Vinny and his entourage hurry through the halls of the casino, the girlfriend almost falling trying to keep up. Vinny enters the press conference room full of confidence and machismo. He steps up on the scale, taking off his bathroom, to reveal a thong, which he then points towards Mayweather’s camp. On the scale, he slowly exhales, and the official makes adjustments to the scale. The official announces that Vinny has made weight, and we see the usual pre-fight theatrics of two fighters trying to psych each other out.

Vinny and his father, who is a large, blustery man named Angelo (Ciaran Hinds) talk about going back to their respective hotel rooms and getting some sleep. We cut to Angelo hamming it big at the crap’s table and Vinny and his girlfriend quickly sneak by to play some blackjack. We find out everything we need to know about Vinny when he doubles down on a $10,000 bet and wins.We cut to Vinny dropping endless money chips onto his girlfriend’s body in bed.

Vinny is fighting Mayweather and getting his butt kicked. No matter what he does, it seems Mayweather is the better-prepared boxer. We cut to Vinny’s parent’s house, where Vinny’s mom (Katey Segal) is sitting in a hallway where there appears to be a religious shrine filled with candles, statues of Jesus and pictures of Vinny. She continually asks about the fight, with the rest of the family in the other room watching it on TV. After losing the fight, Vinny collapses in the ring and is rushed to the hospital. There he is given an IV and told by a doctor that what he is doing to himself with these fights is not normal. The next-day Vinny is over at his parent’s home to eat dinner with the family. As he watches the tape from the fight, he sees his manager, Lou Duva, tell the TV audience that Vinny should hang it up. Vinny is used to being the underdog and is always up for the challenge. He has no way of knowing that he is about to be given the biggest challenge of his life.

Writer/director Ben Younger brings us this tale of a hard-nosed boxer who against the odds and everyone’s advice makes an unbelievable comeback from devastation and heartbreak. In spite of this incredible true story of a man determined to do the impossible, the film never gets behind the facade of Vinny. The movie lacks the big emotional breakthrough that the story and we, the audience deserve. Just because the real-life story is amazing doesn’t mean that it’s going to be a fantastic movie. Younger doesn’t handle the fighting sequences well, using too much “shakey-cam” and quick cuts, making the scenes seem confusing and hard to follow. Even when the final blow is dealt, we never get the big moment with camera placement and pacing. I think the biggest problem this film has is that it is just too formula based. It’s got the manager in Duva, who is in it for the money and not the best interests of his boxer. The mom, who loves her son but can’t watch his fights, even on TV. The controlling father who has groomed his son to be a fighter but can’t willingly give over the reigns of his son’s career to someone else because he can’t admit he might be wrong. And finally, the trainer (played by an almost unrecognizable Aaron Eckhart) who has hit rock bottom and needs to redeem himself and his career with a against the odd’s boxer.

Miles Teller has shown us in the past that he can carry a film but unfortunately, he is let down by the storyline and the dialogue. He’s never given that big, impassioned and moving scene. The emotional tone of the film is flat, and try as hard as he does, Teller rarely provides us with the in-depth look into the makeup of who Vinny really is as a person. What you see on the surface is what you get in this film, and it’s not much.

“Bleed for This” becomes just another ordinary boxing film, which is too bad because its star and it’s true story are far more remarkable than the movie itself.   My Rating: Bargain Matinee

My movie rating system from Best to Worst:  1). I Would Pay to See it Again  2). Full Price  3). Bargain Matinee  4). Cable  5). You Would Have to Pay Me to See it Again

For more information on the Savannah Film Festival, go to www.filmfest.scad.edu

"Other People"

"Other People" Movie Review

"Other People"

Posted on Oct. 25, 2016 on CWAtlanta.cbslocal.com

Wayback Machine Archive Post

“Other People” (2016)

Film was reviewed at the Savannah Film Festival screening.

We first see three older children laying on a bed with their father on the floor with his head leaning against the bed, as the mom (Molly Shannon) is on the left side of the bed laying still. The husband (Bradley Whitford) is crying out that she is gone. The kids all react with crying as they reach to find each other’s hands. They lay there continuing to sob as the phone rings in the background. No one responds to the phone; they continue to wail as the answering machine picks up. A female voice starts to leave a rambling message on how she just heard that Joanne was sick, and she hopes she is feeling better. As the woman bathers on, we realize she is making this phone call from a fast food drive thru window. She interrupts the call to make an order, which we hear in full detail.

We cut to the previous year. The family is gathering to celebrate the New Year. David (Jesse Plemons) is moving uncomfortably from one interaction with a relative to another as he makes his way through the house. They all make jokes about David being now from the big city and that “don’t forget the little people on your way to the top.” He has to continually explain that his network pilot did not get picked up. They all respond that it’s for the best as he is needed back home to help take care of his mom. As family members gather around to sing and dance, David moves upstairs to check on his mom, Jeanne. She is getting ready for the party in front of a mirror. It is evident from the quick and witty banter that they get along extremely well.

Jeanne makes an appearance at the party, and it is very apparent that she is the center of this world. David has to constantly answer questions about his boyfriend, Paul, and from his hesitation and stock answers, it’s pretty obvious that there is a problem with their relationship. David hides upstairs, chewing on his fingernails. His father, climbing the stairs to go to a bedroom, quickly inquires if everything is ok, but it’s tense between the two and both don’t want the conversation to linger. Finally, much to the relief of David, the New Year has at last arrived, as family and friend’s countdown the last seconds.

Based on his own real life struggles to deal with his mother’s death to cancer, writer/director Chris Kelly gives us a moving and sometimes hilarious look at the last year of a life that is dying of cancer. The title of the film comes from David explaining that this “only happens to other people” and his friend saying, “now you’re other people.” As we travel through the year, we go through the trials and tribulations of a family dealing with such a dramatic event. The film is seen through the eyes of David, a comedy writer. Who right after college found fame, success and love; but now has hit a dead end in both his professional and personal life. Having broken up with his longtime boyfriend and currently living in what he feels is a deeply oppressed community (at least toward gays), David is feeling extremely alone, and the only one that he can communicate within his family is dying. David continually puts up a front that everything is fine with himself, while the truth is he is barely hanging on. Kelly has a nice light touch with dialogue, making it feel real, especially those quiet moments between David and his mom. He also builds tension within his film. As the relationship between David and his father continues to fester below the surface, as both refuse to confront the problems they have with each other. Until near the end of the film when the relationship finally blows up.

While Molly Shannon is fantastic while giving a moving performance as the woman fighting not only to stay alive, but to keep her family together against the odds, this is a Jesse Plemons film. Plemons is the center of the film; its heartbeat in a brilliantly understated way. Whether it’s his body language of silently shrinking away from his dad or his nervous habits of biting his nails or moving his hair from his face, these small slices of life that give us more insight into his character than any dialogue could. Plemons is best when he shares scenes with Shannon. It’s those moments we see David’s struggle to stay strong for his mom, while his world is crumbling before his eyes. His subtle reactions to his mom barely being able to do a sit-up, to him having to pick-up his nude mother off the bathroom floor after she has fallen which makes this film so touching. He is willing to give Shannon the big moments, making an enormous emotional impact from a light, slight presence that he gives, putting all the spotlight on her in their time together.

With just the right enough amount of comedy to balance the heartbreak, “Other People” is a film that will have you thinking about your relationships with your family and friends. Horrible things that cancer can break families apart but sometimes, just maybe, they can also bring people together to explore what is paramount to them.   My Rating: Full Price

My movie rating system from Best to Worst: 1). I Would Pay to See it Again 2). Full Price 3). Bargain Matinee 4). Cable 5). You Would Have to Pay Me to See it Again

“Other People” Facebook page

For more information on the Savannah Film Festival go to www.filmfest.scad.edu

"Paterson

"Paterson" Movie Review

"Paterson"

Posted on Oct. 24, 2016 on CWAtlanta.cbslocal.com

Wayback Machine Archive Post

“Paterson” Savannah Film Festival Movie Review

Film was reviewed from the 2016 Savannah Film Festival screening.

Paterson (Adam Driver) wakes up in bed beside his wife, Laura (Golshifteh Farahani) next to him. There is no alarm clock sounding; you can just tell that this is the regular routine for Paterson. He looks at his watch to see what time it is and gives his sleepy wife a kiss. They cuddle for a while and then Paterson gets up and gets ready for the day. He eats a cup of cereal and heads out the door.

Paterson is a bus driver in the town of the same name, Paterson, New Jersey. As he walks the streets, we see the words of a poem he is working on superimposed on the screen. As Paterson slowly narrates the poem, the words appear in a leisurely, steady stream. He arrives at his job, and we see him, inside his bus working on the poem. His supervisor, Donny (Rizwan Manji), tells Paterson his latest woes and then sends him off to run his route. We see how Paterson works, attentive at the wheel but still is interested enough to overhear his passengers talk about their lives, loves and dreams.

At lunch, Paterson opens his metal lunchbox. Inside his a picture of his wife tapes to the inside along with a vast array of lunch items. As Paterson sits on a bench in front of a beautiful bridge and waterfall, he continues to write his poem. We cut to Paterson walking home, still going over the poem in his head as he travels the streets and back alleys of his town. He comes home, gets the mail and straightens the mailbox, which is leaning to one side.

He comes home to discover his wife has painted the curtains with a pattern of circles. It’s an easy banter between two people who love each other and are genuinely interested in each others lives. After dinner, Paterson takes their bulldog, Marvin for a walk, or more like Marvin takes Paterson for a tug. They end up at a local bar run by Doc (Barry Shabaka Henley), with Marvin being left tied up outside the bar. It’s very much a neighborhood bar where everyone else knows everyone’s business. Doc and Paterson discuss the most famous people that have called Paterson home. It’s a routine that both men seem to enjoy. The next scene we see is the next morning, where Paterson awakes to do it all over again.

“Paterson” is a sweet, delightful film looking at life in small-town America through the eyes of a man who loves his life and poetry. Writer/director Jim Jarmusch brings a small sample of the blissful life that Paterson and his wife live, a couple happy to celebrate the little moments in their lives. Paterson is striving to be a poet, always writing in is “secret book,” filling its pages with beautiful small works that takes its material from his everyday life. Like his marriage, his poetry celebrates the small things in life, like how when the rain stops falling, the windshield wipers squeak across the windshield of his bus. Paterson, though given numerous times to claim it, never tells anyone that he writes poetry. Even though it is evident through his knowledge of books and writers – it’s a passion. Jarmusch has created a world that seems real and comfortable. He wants us to soak in the life of Paterson; his loves, his life and his simple journey that gives him so much happiness.

The film is greatly aided by the cinematography of Frederick Elmes, which lets the beauty of the streets of Paterson seem crisp, real and welcoming. Jim Jarmusch’s band Sqürl give the film an almost surreal feel at times, especially during those times when Paterson is reciting his poetry. Editor Affonso Goncalves does a masterful job of using cuts to create a rhythmic feel to the film, producing a flow that keeps the film moving at a slow, but comfortable pace. My only quibble with this movie is the use of superimposing images on top of other images (like a closeup of his wife) while Paterson is reciting some of the poetry. It’s jarring and contributes nothing to the film.

Adam Driver gives a wonderfully understated performance as a man who is content in his life and his work. Paterson is a man who enjoys his life, and it’s routine. Driver allows Paterson sit back and let life flow in front of him, which gives his character more to write about and express. Driver and Golshifteh Farahani, as his wife, play off each other with incredible chemistry, as he lets his character’s delight show as his wife tells him of her new art project or dinner invention. Farahani is a spark plug; the screen can barely contain her as he bubbles with energy and excitement, a considerable contrast to Driver’s low-key Paterson. The interaction between the two characters and the performances of Driver and Farahani makes this film such a joy to watch.

You will enjoy spending seven days with Paterson, so much so, that you will wish once the movie ends that you could extend your stay for another week.    My Review: Full Price  

My movie rating system from Best to Worst: 1). I Would Pay to See it Again 2). Full Price 3). Bargain Matinee 4). Cable 5). You Would Have to Pay Me to See it Again

“Paterson” Facebook page

For more information about the Savannah Film Festival, go to  www.filmfest.scad.edu

"Jackie"

"Jackie" Movie Review

"Jackie" 

Posted on Oct. 24, 2016 on CWAtlanta.cbslocal.com

Wayback Machine Archive Post

“Jackie” Savannah Film Festival Movie Review

 

Film is reviewed from the 2016 Savannah Film Festival screening.

When we first see Jacqueline Kennedy (Natalie Portman), she is fiercely walking on the grounds of her home in Hyannis Port, Massachusetts. We cut to a man getting out of a cab in front of Jackie’s home. Jackie appears at the door but is reluctant to let the man in. It seems that the man is a reporter (Billy Crudup) here to do an interview with Mrs. Kennedy a week after the assassination of her husband, President John F. Kennedy. She grills the reporter, setting up a series of ground rules for the interview before she lets him in.

She finally lets the reporter in, and they sit for the interview. Jackie very defiantly tells the reporter that she knows why he is here, that he wants her to describe the assassination in detail. At that point we flash back to Jackie in the open aired limo just after JFK was shot, the car speeding down the road as Jackie tries to get John to respond to her pleas. We are back to present, and the reporter tells Jackie how much he admired her televised tour of the White House a few years ago, telling her what a magical TV event it was. We flash back to Jackie very nervously rehearsing her opening line with her trusted aide, Nancy (Greta Gerwig). Once they decide what the opening phrase should be the cameras, start rolling, and Jackie is showing the world what she calls “the people’s house.”

“Jackie,” written by Noah Oppenheim and directed by Pablo Larrain moves seamlessly back and forth between the interview with the reporter and two of the most famous and influential events in Jacqueline Kennedy’s early very public life; the 1961 tour of the White House just after she had done a long-overdue renovation of the President’s residence, and the week following the assassination. These two points in time are the exact opposite of one another; in 1961 the U.S. was bright and shiny and in love with the beautiful couple in the White House, in 1963, right after the President was killed, the country was in mourning and worried that the world was out to destroy the U.S. Larrain moves between the time periods, each look back pushes the storyline forward, letting us know and understand Jackie, much more than she ever showed the public. We see her progress as someone in 1961 as a shy woman who was very unsure of herself in the spotlight under the gleaming eye of the TV cameras. While nervous, she is determined to show the U.S. how proud she is to be living in the White House. When we look back at what happened right after the shooting, we see a determined Jackie who wants to make sure her husband is shown the respect and reverence that she feels he deserves. To do that, she is willing to stand up to anyone, whether it’s JFK’s brother, Attorney General Bobby Kennedy (Peter Sarsgaard), or the new Chief of Staff for LBJ, Jack Valenti (Max Casella).

The supporting cast in the film is outstanding, especially Greta Gerwig as the First Lady’s personal assistant whose brief appearances on the screen is filled with love and support for the First Lady. Billy Crudup is given the thankless task of the reporter who has to tippy-toe around her feelings while balancing the defiance of a grieving that Jackie is going through. Crudup holds his own with Natalie Portman on camera, giving up the screen to her when it’s needed. Peter Sarsgaard as Bobby Kennedy, never pins down the distinctive Boston accent but nails the man who is trying to hold his family together after his brother’s world has been destroyed. John Hurt, plays the priest who becomes Jackie’s confessor/absolver is perfect in the role.

Make no mistake; this is Natalie Portman’s film, and she handles it with ease. It takes a few minutes into the movie to get used to her talking like Jackie, but once you get used to it, Portman disappears into the role of Jackie. It’s a tough role to tackle because after the assassination; Jackie was all over the place; at times defiant, other times subservient, always demanding that her husband is treated with respect and determined to show the world what horror had happened to him. It’s an amazing performance as Portman turns Jackie’s emotions on and off at a moment’s notice, as one in shock/grieving does. Portman dominates the film and is on the screen in almost every scene. It’s a powerful, masterful, multi-layered performance that is sure to be in the running for an Oscar.

My only problem with this film is it just doesn’t know at what point to end the film. I think the best stopping place would have been the funeral at Arlington National Cemetery, after the funeral procession through the streets that Jackie had fought so hard to put on. Instead, we get a few more starts and stops, all of which feel a little hollow and forced.

Overall, this film works as a study of a person who was larger than life by one of the few actresses who could handle that type of role. You feel after seeing this film that Natalie Portman gave us everything she could give, just like the woman she portrayed did for this country.    My Rating: I Would Pay to See it Again

My movie rating system from Best to Worst: 1). I Would Pay to See it Again 2). Full Price 3). Bargain Matinee 4). Cable 5). You Would Have to Pay Me to See it Again

“Jackie” Website

For more information about the Savannah Film Festival, go to www.filmfest.scad.edu

"Girl Asleep"

"Girl Asleep" Movie Review

"Girl Asleep"

Posted on Oct. 7, 2016 on CWAtlanta.cbslocal.com

Wayback Machine Archive Post

“Girl Asleep” (2015)

Greta (Bethany Whitmore) is a shy, slightly strange girl, who would rather not grow up. She is about to go to her new middle school, but first she must put up with her wine drinking mother (Amber McMahon), her joke telling father (Matthew Whittet) and her older sister (Imogen Archer) with an attitude. Combine all that family drama with her sister’s too cool musician boyfriend (Eamon Farren) and woods behind her house that she is convinced is haunted, make Greta a very sensitive and nervous girl. She is only comforted by her music box, making origami cranes at a rapid pace and looks at pictures of a Scandinavian woman warrior from the past.

Greta’s fears are confirmed when she goes to her middle school for the first time. She is sitting alone at recess, and kids play all sorts of games around her. Her day gets worse as a girl just comes and takes her origami crane, and everyone else seems to ignore her. Her day suddenly gets better when Elliott (Harrison Feldman) sits down on the bench beside her. He is determined to be her friend, and she slowly warms up to the sweet but slightly awkward Elliott. Just as the friendship starts to bloom (Elliott has gone off to get the two of them donuts). Greta is confronted by three similarly stylishly dressed girls. You can tell right away that they mean nothing good for Greta, which terrifies her. They entice Greta into leaving Elliot on the schoolyard, taking her into the girl’s bathroom and asking her very personal questions. They mockingly ask Greta about her kissing prowess, and if she is interested in any boys.

She makes a hasty retreat and after school hooks back up with Elliot to go to her house. Elliot’s parents are thrilled that she has made a friend, although her sister seems to want just to terrorize Elliot, who good naturally laughs off the attempts. To her dismay, Elliot accepts her mother’s invitation for dinner. Greta goes to school the next day to discover to her horror that her mother has invited all her classmates to Greta’s fifteenth birthday party. It’s a party that will change Greta’s life, whether she is up for it or not.

“Girl Asleep” is part “Adventure Time,” part “Napoleon Dynamite,” and part “Where the Wild Things Are.” Writer Mathew Whittet (based on his play of the same name) and director Rosemary Myers, have imagined a very creative and whimsical look for this film reminding me of Wes Anderson and Monty Python movies. There is so much going on in the background on the schoolyard when Greta first meets Elliot you just don’t want the scene to end. Visual touches, like a wall decoration that tells us about a leap of time or a coffee mug significantly adds to the tone of the film. Adding to the look and the feel of the movie are some incredible small musical numbers, reminiscent of the Disney made for TV movies, which are a joy to watch. The unique look of the film is aided by the crisp lighting of director of photography Andrew Commis, who uses the 4.3 symmetrical framing to his full advantage. The feel of the movie is also helped by production and costume designer Jonathon Oxlade, who creates some incredible creatures for Greta’s dream and fantasy sequences.

The film wouldn’t be as enjoyable as it is without the brilliant and subtle performance of Bethany Whitmore. She is perfect as the awkward, nervous Greta, who must learn to stand up for herself and take on life’s challenges head on. She lights up the screen in each scene she is in and has great chemistry with Harrison Feldman, playing Elliott, the boy with the heart the size of Australia. Their scenes together are some of the best of the film, providing warmth to the movie.

I loved this quickly little film (which, by the way, is only a fast and furious 77 minutes long), the way it delves into the life and dreams of a girl who is going on a journey of growth and adventure. Go on this strange adventure with Greta because you won’t be disappointed, but you just might have to do a dance number if you decide to stay.    My Rating: Full Price

My movie rating system from Best to Worst:  1). I Would Pay to See it Again  2). Full Price  3). Bargain Matinee  4). Cable  5). You Would Have to Pay Me to See it Again

“Girl Asleep” Website

The film is playing in Atlanta exclusively at Landmark Midtown Art Cinema