Saturday, September 17, 2016

"The Hollars"

"The Hollars" Movie Review
"The Hollars"
Posted Sept. 16, 2016 on CWAtlanta.cbslocal.com



“The Hollars” (2016)


When we first meet the Hollar family, they are getting ready for the day. Ron (Sharito Copley) has recently moved back to his parent’s house and is sleeping on the couch. This morning he is desperate to find a bathroom. His mother, Sally (Margo Martingale) is curling her hair and will not let Ron into her bathroom. He moves to the downstairs bathroom, where his father, Don (Richard Jenkins) has set up shop and doesn’t even answer his son’s desperate pleas. Ron decides to take matters into his own hand, looking for an approbate size container for his needs. He finds a plastic pitcher and right there in the kitchen, he begins to relieve himself, only to be interrupted by his father yelling at him.

Before an argument can start, they hear a noise from the upstairs bathroom. They both rush up the stairs to find Sally collapsed on the floor, the hair curler burning her arm. Don doesn’t seem to understand the seriousness of the situation, thinking that Sally is playing a joke. Ron figures out that something is terribly wrong and quickly removes the curler from Sally’s burning arm. Sally slightly regains consciousness, but it’s very apparent that this is serious, and an ambulance must be called.

We cut to New York where another Hollar, John (John Krasinski), an aspersing graphic novel artist is unhappily working at a publishing company. John is surprised by his girlfriend, Rebecca (Anna Kendrick), who is very pregnant and is pulling a suitcase behind her. She informs John that his dad called her and that his mom is in the hospital with a possible brain tumor. She has booked him on a flight home, and he takes off for the airport. At the hospital, John walks into chaos. His father and brother get into a pushing match, as tension between the two is almost unbearable. Sally is in her hospital bed, trying to keep the peace between the two. And Sally’s nurse, Jason (Charlie Day) is combative with John, due to that fact that Jason married John’s old high school sweetheart. And Sally is told by her doctor (Randall Park) that she has a large brain tumor that just might killer. It turns out Sally has been displaying symptoms for years, but Don thought the symptoms were due to her being overweight. His solution was to put her on Jenny Craig. This is the madness of the Hollar family, and John will soon learn that his family is far loonier than he could ever imagine.

I wish that the script, written by Jim Strouse, was a little stronger. Too often the characters seem one-dimensional, too broadly written to get any depth from them. It makes some of the comedy fall flat or stereotypical, as in a poorly written scene where Ron starts insulting his mother’s surgeon by asking his what type of martial arts does he practice because he is asian. Both Ron, played by Sharito Copley and Jason, the nurse played by Charlie Day, are blatant attempts at hitting the funny bone by giving them outlandish scenes or dialogue to project.

John Krasinski, directing his second feature film, does better with the smaller moments of the movie, such as his character’s time alone with his girlfriend or his mother. Those scenes are full of warmth and funny dialogue. There is a great scene where he has “kidnapped” his mother to a sweet shop so that her last meal before surgery isn’t bland and boring. They talk about where their lives have been and where they want to end up. It’s a beautiful scene that full of heart and sincerity.

The cast makes this film worth watching with Margo Martindale front and center. It’s nice seeing Martindale in more than just a secondary role. She is the center of the film, and her character is the heart of her family. Martindale often lets her character wear her heart on her sleeve, and we can see from her talks with John, that Sally is a thoughtful and insightful person. It’s an impressive performance that if enough Oscar voters see the film, could get her a nomination. Richard Jenkins, as Sally’s highly emotional husband, gives a very sweet and sometimes funny performance as a man who can’t see his life going on without his wife. Jenkins milks every scene to it’s fullest and is hilarious when he bursts out in tears on an almost constant basis. Don could have been a cartoon character if done by another actor, but under Jenkins deft touch, he makes Don seem sympathetic. John Krasinski gives a low-key but nuanced performance of a man who is unhappy but can’t put his finger on how to fix his emotional state. Krasinski has great chemistry with Anna Kendrick, who plays his loving but worried girlfriend.

I wish that Krasinski had stayed away from the broad comedy bits and focused more with the smaller moments of the film. Even with its flaws, “The Hollars” is still worth seeing due to the great performances of Martindale, Jenkins, Kendrick, and Krasinski.    My Rating: Bargain Matinee 

My movie rating system from Best to Worst: 1). I Would Pay to See it Again 2). Full Price 3). Bargain Matinee 4). Cable 5). You Would Have to Pay Me to See it Again

“The Hollars” Website

The film is playing in Atlanta at Landmark Midtown Art Cinema and AMC Phipps Plaza

Friday, September 2, 2016

"The Light Between Oceans"

"The Light Between Oceans" Movie Review
"The Light Between Oceans"
Posted on Sept. 2, 2016 on CWAtlanta.cbslocal.com



“The Light Between Oceans”  (2016)


Tom (Michael Fassbender) is a damaged man who is returning from the horrors of four years of fighting the battles of World War I for his native Australia. It seems to take every effort for Tom to answer the questions of a man who is interviewing him for the job of lighthouse keeper on a small isolated island one hundred miles from the nearest town called Janus Rock.  Almost reluctantly the interviewer gives Tom the job but not before telling him that the last keeper went mad due to the isolation. This doesn’t seem to faze Tom; in fact, it appears to delight Tom that he won’t have to deal with anyone.

Tom is invited to dinner at the home of some of the townspeople, and there he meets Isabel (Alicia Vikander) a lovely and vivacious young woman, who seems to delight in making Tom slightly uncomfortable. She finagles Tom into to taking her on a picnic the next day. There is a definite attraction between the two and the more time they spend together, the more it become evident that they belong to each other, so much so that Isabel proposes to Tom. He doesn’t take the proposal seriously but does tell Isabel that they should write to each other while he is away at the lighthouse.

It’s not long before wedding bells are ringing for Tom and Isabel, and they began living a lovely life on their small island. However, the perfect world that they have built for themselves is going to come crashing down and they will only be able to blame themselves for the fall.

“The Light Between Oceans” is a film about two people, who make a wrong decision that affects their lives with everlasting consequences. It turns out that Isabel is almost as damaged as Tom is, and the two together do not make the best decisions, and those decisions have far-reaching ramifications.

The movie is beautiful to look at. The cinematography by Adam Arkapaw is gorgeous and captures the raw beauty of the rustic coast of Australia, with sweeping shots from high above which gives us a birds eye view of the land. Those shots are greatly aided by an incredible score by Alexandre Despiat that adds to the feel and tone of the film. It looks like Director/writer Derek Cianofrance may have fallen in love with this part of the country because after the fourth overhead shot of the coast, you become a little bored with the same shots over and over. The film moves at a slow, almost snail’s pace, making the film feels much longer than its 2-hour 12-minute length. My biggest problem with this film is I never emotionally connect with the characters.

Michael Fassbender has the task of making a very dull, lifeless character likable and he doesn’t always succeed. His character is the moral compass in the film, which we are informed about over and over. This darkness and angst isn’t a good look on Fassbender, and it weighs down the film. Alicia Vikander has an easier task as her character to start the movie is much lighter, poking fun at the stoic Tom. As the film progresses and the troubles start, her character becomes much darker, almost vindictive and Vikander has the chops to pull it off. The third part that stands out in this film is the performance of Rachel Weisz, who plays a character that throws a major twist to the plot. Weisz’s performance is beautiful to watch, and she leaves everything on the screen, one big raw emotion that is constantly being shown. It’s a powerful performance full of nuance and is the best thing about this film.

Ultimately, the film wears down over the constant twist and turns, never quite getting out of the darkness that it has created. The ending of the movie feels like it was added on by the studio to try and fix the mess that the filmmaker created, but it doesn’t fix anything. There were brief times while watching this film that I enjoyed it but that was few and far between. I never felt the film hit me emotionally, so by the end of the movie what I mostly felt was being tired.    My Rating: Bargain Matinee

My movie rating system from Best to Worst:  1). I Would Pay to See it Again  2). Full Price  3). Bargain Matinee  4). Cable  5). You Would Have to Pay Me to See it Again

“The Light Between Oceans” Facebook Page