Monday, December 28, 2015

"Mike's Fifteen Worst Films of 2015"



"Mike's Fifteen Worst Films of 2015"
Posted on Dec. 28, 2015 on CWAtlanta.cbslocal.com

Here are my 15 worst films of 2015 (in no particular order):

1). “Hot Pursuit”  (2015)



Photo courtesy of MGM

A by-the-book cop (Reese Witherspoon) and a widow of a drug kingpin (Sofia Vergara) are on the run as they race through Texas trying to avoid mobsters and crooked cops.  Let me say that this film is guaranteed a spot on my Bottom Ten Films list for 2015. I kept thinking, why would Reese Witherspoon, hot off an Oscar nomination, make this crappy film?  The movie is full of bad jokes with a script full of loopholes. Vergara’s acting is horrible, and Witherspoon’s isn’t much better. It’s sad when even the outtakes (shown during the credits) are unfunny.

2). “Vacation”  (2015)



Photo courtesy of New Line Cinema

Rusty (Ed Helms) decides to follow in his father’s footsteps and take his family on a long distance trip to Walley World.  If you are nostalgic for the old Vacation series, you might enjoy this film. I found the film funny, at times, but it’s just too long and too predictable. I liked Ed Helms as Rusty, and he has good chemistry with Christina Applegate, who isn’t given enough to do in this film. The kids (Skyler Gisondo, Steele Stebbins) are both funny and have some enjoyable scenes together. Chris Hemsworth is hilarious as the Texas weatherman married to Rusty’s sister, Audrey (Leslie Mann). There is a scene with Hemsworth that had me on the floor laughing, but the rest of the film doesn’t quite live up to that scene. I just wish there had been more laughs.

3). “Pixels”  (2015)



Photo courtesy of Columbia Pictures

Aliens have come to wreak havoc on Earth.  It seems, though, they have misinterpreted video feeds of classic arcade games.  Now it’s up to a gang of video gamers to save the Earth from a weapons attack in the form of video games. Can someone just give Adam Sandler a hug because he looks miserable making crappy film after crappy film? This film should have been fun and funny.  Instead we get a film that wants us to believe that someone like Kevin James can be president and that the character Adam Sandler plays is so devastated by not winning a video game contest that it ruins his life. The only actor who gives a performance with any energy is Peter Dinklage, and it’s just not enough to save this sorry film. The movie has so much product placement in it that I expected the closing credits to say “Pixels brought to you by Bud Light.” At the screening I attended, with about 20 minutes left in the film, the fire alarm went off in the theatre. While waiting for the film to restart, my fellow critics and I were able to figure out how the rest of the film would go; it’s that predictable. The best way to describe this film: unimaginative and boring.

4). “Jupiter Ascending”  (2015)



Photo courtesy of Warner Brothers

Jupiter Jones (Mila Kunis) has always felt that she was destined for something better than her job as a janitor. But it’s much to her surprise when an interplanetary warrior, Caine Wise (Channing Tatum), shows up and informs her that her destiny is to be part of a royal family who rules the solar system.  “The Matrix” was a fun movie that took a little effort to understand. This film, also directed by The Wachowskis, is complicated, but I could see it forty times and still not understand it all. The film is a big mess, with special effects so horrible that, at one point, I thought I was watching an old Claymation movie from the 60’s. The dialog is incredibly stupid as in, “Bees know royalty.” There is absolutely no chemistry between Kunis and Tatum, with Kunis acting like a 16-year-old girl around Tatum’s character (who, by the way, is part wolf). The movie uses the same plot device twice, making me think; “Didn’t I already see this?” And Oscar nominee, Eddie Redmayne, chews up scenery like he is channeling a 90’s version of Nicolas Cage. By the end of the film, your biggest question will be: “Why does Channing Tatum have Spock ears?”

5). “Poltergeist”  2015)



Photo courtesy of MGM

A married couple (Sam Rockwell, Rosemarie DeWitt) move into a new house with their children. They start experiencing mysterious things happening inside the house. Now, their daughter is missing, and it seems there is a ghost in their home holding their daughter captive. It’s sad when the trailer and even the poster are scarier that the film itself. The wastes the talents of Rockwell and DeWitt, though it does let Rockwell be funny in early, relaxed scenes with the family. The plot is somewhat similar to the original 1982 film of the same name but doesn’t have the thrills and scary moments of the first film. All of the scary moments of this film are the type where something jumps out of the dark at you. The film has numerous stops and starts, never letting the tension build.

6). “The Gallows”  (2015)



Photo courtesy of New Line Cinema

20 years after a horrific accident during a school play, students decide to put the play on again to honor the anniversary.  It’s a decision they will soon regret. This is a cheaply done horror movie with bad acting and very few scary parts. It  takes almost half the film before the frightening scenes start happening.  The film is shone as a found footage movie, so there are a number of shots of ceilings and people’s feet (so many so, I wonder if the director has a thing for shoes). The film is boring, and the characters are so uninteresting that you almost want them to get killed. I also hated the ending, which was predictable and like most of the film, pointless.

7). “No Escape”  (2015)



Photo courtesy of The Weinstein Company

An American couple (Owen Wilson, Lake Bell) and their kids are caught in the middle of a coup in a Southeast Asian country. Now they must get from their hotel to the American Embassy, running from a crowd hell-bent on executing every foreigner they find.   I liked Wilson as an every-man action hero, and while Bell isn’t asked to do much other than needing to be rescued, she is extremely likable on the screen. But, this film is filled with rampant xenophobia, an unknown country  filled with horrible people determined to rape or kill every foreigner. There are some action sequences that are so outrageous that at, my screening, most of the audience laughed. And, the two daughters (Sterling Jerins, Claire Geare) are so annoying that you almost wish that, at some point, the parents could leave them behind. This is a strange and messy film that isn’t enjoyable to watch and misses the mark by so much that it makes Vietnam (yes, that Vietnam) the hero of the film.

8). “Pan”  (2015)



Photo courtesy of Warner Brothers

An orphan named Peter  (Levi Miller) has always dreamed that his mother would someday come back and save him from his life at the orphanage. In the middle of the night, he is stolen by Blackbeard (Hugh Jackman) and his men.  They take him to the magical Neverland, where he meets James Hook (Garrett Hedlund) and the beautiful Tiger Lily (Rooney Mara). The legend is that Blackbeard will die at the hands of a boy who can fly. Could Peter be the foretold boy sent to save Neverland from Blackbeard? Where to start with this huge mess of a movie. Oh, I know. It’s not a musical but when we first meet Blackbeard and his mineworkers, they sing “Smells Like Teen Spirit.” It’s as jaw dropping weird as it sounds. Later on the mine workers sing The Ramones “Blitzkrieg Bop.” Why? I don’t know, but it sums up this film. It’s just bizarre and bad. Add to the mix that Peter is living in London in the 1940’s during WWII (not turn of the century London like in the book), horrible CGI special effects that look like they were done in the 1960’s and cast that seems bewildered on how to play their roles. To top it all off, Tiger Lily speaks with a bad Irish accent. There are also some rather scary scenes, so don’t take kids younger than 7.

9).  “Scouts Guide to the Zombie Apocalypse”  (2015)



Photo courtesy of Paramount Pictures

On the eve of their last campout, three scouts (Tye Sheridan, Logan Miller, Joey Morgan) band together to fight a zombie invasion of their town. Full of cliches, this film, has the stripper who is smarter than she looks, the nerds who save the day, and the beautiful high school girl who secretly likes one of the scouts. This film would have been a lot of fun if they had done it right. Well, they didn’t. They went for the easy, cheap, sophomoric comedy, which most of the time didn’t work. If you think singing a Britney Spears song with a zombie or feeling up a zombie’s breasts is funny, and then this movie is for you. If you can stay awake through the whole film, there is a bonus scene after the first portion of credits.

10). “Paranormal Activity: The Ghost Dimension”  (2015)



Photo courtesy of Paramount Pictures

Ryan (Chris J. Murray) and his family have just moved into a new home. Ryan finds a 20-year-old tape that shows two girls being taught supernatural abilities by what appears to be their mother.  Soon, after viewing the tape, strange things start happening in the house, and it seems Ryan’s daughter is being targeted by supernatural forces. The fifth and hopefully last of the “Paranormal Activity” series is the worst of the bunch, going out like a whimper of a person being terrorized by a ghost. While the film was shot in 3-D, it doesn’t look it, as the 3-D effects only show up when the supernatural beings appear. The scares are minimum and are all of the “jump out of the dark” with a loud noise variety. The film uses the  “found footage” genre, but that genre is getting old and has worn out it’s welcome. What started out as a phenomenon has ended as a ho-hum bland film. And please, no one stare into a mirror and say “Bloody Mary” three times. I really don’t want to see any more of these films!

11).  “Love the Coopers”  (2015)



Photo courtesy of CBS Films

Four generations of Coopers are getting together for their annual Christmas Eve celebration.  What can go wrong? It turns out just about everything.  This is a comedy where no one in the family is happy, and even the family dog has an eating disorder. A grad student could write his dissertation on all the problems this family has and, remarkably, most are solved by the end of this unfunny film. The only storyline (and there are way too many of them) I enjoyed was where Olivia Wilde’s character picks up a soldier  (Jake Lacy) at the airport bar to pose as her boyfriend. Their relationship is the only one that has any sparks and is the most enjoyable to watch. Diane Keaton and John Goodman,  the patriarchs of the family, are just exhausting to watch as their bickering gets old quickly. There is a scene between Amanda Seyfried and Alan Arkin (she’s his favorite waitress at a diner) that just turns so weird that I couldn’t even begin to explain it. If you hate the holidays and want to get depressed, then this film is for you.

12).  “Krampus”   (2015)



Photo courtesy of Universal Pictures

Max (Emjay Anthony) and his family are just not feeling the Christmas spirit this year.  Max gets mad and decides he is done with Christmas.  Unfortunately, Max has unleashed Krampus, a demonic force of ancient evil intent on punishing non-believers. Now Max and his family are going to have to fight for their lives. Where to start with this mess of a film? Oh, I know, it’s a horror film that isn’t scary. The film uses a mix of styles to animate the minions of Krampus, and it just doesn’t work. Some of the bad guys are animated, and others are done with a more lifelike CGI. The two styles don’t mix as if the filmmakers couldn’t decide to go campy or scary. I didn’t care what happened to any of the characters as they all deserved a lump of coal under the tree from Father Krampus. Unfortunately, I felt I also got a lump of coal from the filmmakers

13).  “Entourage”  (2015)



Photo courtesy of HBO

Ari Gold (Jeremy Piven) is now head of a film studio. Vincent (Adrian Grenier) is making his directorial debut, and his film is going way over budget. Can Vincent’s manager Eric (Kevin Connolly) convince Ari to cough up more money to complete the movie, or will the gang have to move back to Queens?  When you make a sequel or a film based on a TV show, it should bring something new to the screen.  Entourage brings exactly nothing new to the storyline. The movie feels a little dated as if time hasn’t been kind to Ari and Vincent. There is a reason the TV show was only 30 minutes long as if it’s any longer, you start not liking any of the characters because they are all too self-involved to care about anything else but themselves. I just didn’t care at all about what happened to any of the characters by the end of the film, and I was almost rooting for them to fail.

14).  “Self / Less”  (2015)



Photo courtesy of Focus Features

Damian (Ben Kingsley) is a rich man dying of cancer. He undergoes a radical medical procedure that transfers his consciousness to the body of a healthy young man (Ryan Reynolds).  This isn’t a horrible film, but it’s too long, takes forever to get going, and it’s rather easy to figure out. Kingsley barely has any screen time and Reynolds, while doing an admirable job as an action scenes, is rather boring in the rest of the film. I also never bought the fact that when Damian was old he was a jerk, but when he takes over the new body, he become compassionate.

15).  “The Transporter:  Refueled”  (2014)



Photo courtesy of EuropaCorp USA

Frank Martin (Ed Skrein) is a former special-ops mercenary who is now transporting classified packages for questionable people.  He gets caught up in a cat and mouse game between some bank robbers and a Russian kingpin. This is the typical movie written by Luc Besson, who created the Transporter series. The film has lots of action and flash but no real character or content. Ed Skrein is asked to fill the very large shoes of the star of the first three Transporter films, Jason Statham. Unfortunately, Skrein doesn’t have the charisma or screen presence. The action, while well-choreographed, is almost comical, reminiscent of an old Jackie Chan film, where the hero uses various devices like a life buoy to subdue his attackers. The acting is horrible, with the exception of Ray Stevenson, who comes off stylish and cool as Frank Martin’s father, an ex-CIA agent. The film is one big ad for Audi.  Instead of “Refueled,” I think this whole series needs to be retooled.

For more of Mike’s reviews and interviews click here

Wednesday, December 23, 2015

"The Big Short" Movie Review

My review of "The Big Short" starring Christian Bale, Steve Carell, Ryan Gosling.
"The Big Short"
Posted on Dec. 23, 2015  on CWAtlanta.cbslocal.com


Photo courtesy of Paramount Pictures 

“The Big Short” (2015)

Ever wonder what caused the banking crisis of 2008 to happen? You know the one where major banks collapsed and died, where millions of people lost their homes and their jobs. Why were people given home mortgages that they couldn’t afford to keep even if everything went right? “The Big Short” is a film about the banking crisis that happened in 2008. How a few investors figured out that it was going to happen, and risked their life savings and the goodwill of their customers, betting on the fact that something that was thought as impossible would happen. It’s a film that will make you laugh one moment and make you mad in another, as you shake your head wondering how we allowed the crisis to happen and how almost no one paid for their sins, except the naive customers that thought they could have a part of the American dream.

We meet hedge fund manager Michael Burry (Christopher Nolan) at the start of the film. Burry is a man who is rarely wrong, making millions for his boss and his clients. He is a brilliant but strange man, someone who rarely has shoes on, wears T-shirts to the office and listens to heavy metal as he searches for the next great investment. He is a man who is socially awkward, having lost an eye in a childhood illness, making him feel self-conscious. He is a former doctor who quit his practice when he discovered he could make money crunching numbers, crushing the completion with his astute picks. He discovers that the housing market, considered the backbone of the American economy, is about to collapse upon itself, a market that has very few sure things and way too many mortgages which are certain to fail. Burry figures out a way to bet on the fact that the housing market and the banks that invest in it are about to be in a lot of trouble. It’s a bet that few think is a good idea, and most think will never come into play.

A banking investor, Jared Vennett (Ryan Gosling), who doesn’t have the most sterling reputation, finds out about Burry’s investment idea and brings it to maverick investor Mark Baum (Steve Carell). Baum is a man who is known for his temper and his contempt of the investment system that takes advantage of the small investor for the large investor’s gain. Baum is haunted by a personal tragedy, and it’s that tragedy that makes him work so hard. A third set of investors get wind of Burry’s idea, two young, small-time investors (John Magaro, Finn Wittrock), who see Burry’s investment as a way to play with the big boys. All three investor groups are about to go on a journey that will take America to the brink of financial collapse, but not before a lot of people have made and lost a lot of money.

Director / co-writer Adam McKay has brought us a film that is dark, funny and unconventional in its storytelling. Often the actors break the “fourth-wall” to talk directly to the audience, sometimes commenting on what has just gone down. That use of the breaking the “fourth wall” is used very often to tweak the nose of the filmmaker himself, as characters often tell us that the filmmaker has changed something from what really happened to make it more dramatic for the film. The film uses very funny cameos (I won’t say who or what settings they are placed in) to explain some of the extremely complex financial terms and ideas that are crucial to the film. The film also uses montages with bits of cultural references to put the audience in the mood for the timeline. McKay wants you to have fun watching this film, but he also wants to inform you and make you pissed. He made this film with the hope that the American people will get mad when they find out just what happened and why it did. The film also can be very sobering, with images of people living in cars or whole neighborhoods abandoned by the families who couldn’t afford the houses they had moved into. And McKay uses the film to make you indignant or irate, like a scene where Baum is interviewing two real estate brokers that delight in making money off the naive or the uninformed. The two revel in talking couples into taking mortgages that the two money grabbers know they will never be able to afford.

This is an ensemble film, and it’s filled with some superb performances. Bale is outstanding in portraying a man that I am convinced has Asperger’s syndrome. His close-ups as he struggles to understand a conversation or why someone wouldn’t want to invest with him are brilliant and moving. Brad Pitt is fun as a retired, eccentric broker that decides to take the two young brokers under his wing and help them hit the big time. It’s a restrained performance that Pitt plays to perfection. Gosling, as the brash broker that no one likes, gives a hysterical performance as the guy who has nothing to lose and lets you know it. However, this is Steve Carell’s film, playing his part with an almost hound dog-like determination. Carell lets his character hide his pain inside while he remains angry with the world. The only person that seems to be able to reach him is his wife, played by the always fascinating and brilliant Marisa Tomei. Carell plays his character like he is working at 100 mph, and the rest of us are watching at a normal rate as he speeds from one deal to another. Carell steals the film near the end as his character agonizes over whether to cash his hand in, therefore, making millions and millions of dollars on other people’s loss and pain.

“The Big Short” is a film similar in tone to something like 2013s “The Wolf of Wall Street.” It’s a movie that will make you laugh at some over-the-top situations and make you mad about the injustice of a very corrupt system that no one seems to want to fix, and no one will be prosecuted for the wrongs they committed. It’s a film that entertains while informing you all the while marveling at the incredible performances. It’s a story that needed to be told and seems almost impossible to be real.   My Rating: I Would Pay to See it Again

My movie rating system from Best to Worst:  1). I Would Pay to See it Again  2). Full Price  3). Bargain Matinee  4). Cable  5). You Would Have to Pay Me to See it Again

“The Big Short” Website



Monday, December 21, 2015

"My Top Fifteen Films of 2015"

"My Top Fifteen Films of 2015"
Posted on Dec. 21, 2015 on CWAtlanta.cbslocal.com

Here are my top 15 films of 2015 (in no particular order):

1). “Spotlight”  (2015)

Photo coCourtesy of Open Road Films


The true story of how a group of reporters from the Boston Globe uncovered the huge scandal of child molestation and cover-up by the local Catholic Archdiocese. This is one of the best films of the year and very reminiscent of “All the President’s Men” where a group of reporters fight both the hierarchy of the Catholic Church and the city leaders to get the facts of a story that has far-reaching implications.  The ensemble cast is brilliant, led by Mark Ruffalo, who plays a gruff investigative reporter and his counterpart, a reporter who sees the good in most people, played by Rachel McAdams. Ruffalo gives an Oscar-worthy performance as a world-weary reporter who won’t give up. The story is riveting and tense, and the sets are perfect spanning between the cramped spaces of the newsroom to the contrast of the lavish Cardinal’s residence. This is an intense and moving film that perfectly captures a dark moment in time.

2). “The Big Short”  (2015)


Photo courtesy of Paramount

Four outsiders in the world of big banking predict the housing market is going to collapse in 2008. Can these four outsiders take on big banks and make money doing it? This is a funny, creative film that one moment will make you laugh and then in the next moment, will piss you off. The ensemble cast is brilliant with a couple of real standout performances. Christian Bale plays the brilliant but incredibly strange Michael Burry, the man who figures out that the housing market is about to crash. Bale gives his everything to an intense, quirky filled role that only he can do. Steve Carell gives a scintillating performance as the always angry Mark Baum, who decides to go all in on the theory that the crisis will happen I don’t want to ruin anything, but there are some really funny celebrity appearances to explain the very complicated financial workings. I never thought I would thoroughly enjoy a film about banking and housing, but this film makes it a blast to watch.

3). “Ex Machina”  (2015)



Photo courtesy of A24

A computer coder named, Caleb (Domhnall Gleeson), wins a chance to spend the week at the mountain home of Nathan (Oscar Isaac), the man who owns the company where Caleb is employed. It turns out, though, that Caleb is there to test Nathan’s latest experiment, a life-like robot named, Ava (Alicia Vikander). Ex Machina is one of the best pictures I have seen this year and is an outstanding film with a highly creative script. Oscar Isaac and Domhnall Gleeson are perfect on the screen together, giving us a great “cat and mouse game” of a film. The story line is rich, and the characters are complex, which makes this film an extraordinary experience. This is a film that will be the standard-bearer of great Sci-Fi films for years to come.

4). “Creed”  (2015)



Photo courtesy of Warner Brothers

The illegitimate son of Apollo Creed, Adonis Johnson Creed (Michael B. Jordan), wants to follow in his father’s footsteps and be a boxer.  He is willing to do just about anything to reach his goal, including moving to Philly to get the man who beat his father, Rocky (Sylvester Stallone), to help him train.  This is one of the best films of the year and has some of the greatest fight sequences I have ever seen. There is a fight in the film where we follow Adonis from the cramped dressing room to the small ring in a seedy auditorium, that in one continuous shot that doesn’t cut away till the whole fight is completed. It’s a spectacular sequence that punctuates this film with a bang. Jordan sizzles on-screen as the troubled but talented son of Apollo Creed. Stallone gives an Oscar-worthy performance that is understated and moving. Jordan and Stallone have phenomenal chemistry that makes this film work from all angles. This film is a nice homage to the “Rocky” films without getting too campy or sweet, and the final fight sequence is thrilling and just as exciting as any action film that has come out in the past few years. Just like the original Rocky, you will want to see Creed more than once.

5). “Amy”  (2015)



Photo courtesy of A24

The possible frontrunner for the Oscar. It’s a documentary on the late great singer Amy Winehouse, who died too soon. This movie is a stunning and heartbreaking film to watch. I wasn’t a fan of Winehouse, but I am now because we get to see Amy in her early years before fame came crashing down on her. The film uses home videos, behind the scenes shots of her recording studio sessions and live concert footage to give us an insight into her life and what she was really like. We also see her downfall, the talented singer who was not ready or meant for the spotlight. Amy would have had a long and happy life just being a lounge singer, but fame came calling. “Amy” is a moving film that uses Winehouse’s music to brilliantly illustrate what was going on in her life. Even if you aren’t a Winehouse fan, you will want to see this documentary.

6). “The Martian”  (2015)



Photo courtesy of 20th Century Fox

A mission to Mars goes bad as a storm forces the astronauts to quickly abandon the planet. Astronaut Mark Watney (Matt Damon) is lost in the storm and is presumed dead by NASA and his crew. Left behind on a planet where life doesn’t exist, Mark must figure out how to survive long enough to be rescued. This is a film that needs to be seen on the big screen.  The special effects are extraordinary, and the film is filled with thrilling scenes that keep you on the edge of your seat. What makes this film so enjoyable is that Mark Watney uses his sense of humor as a coping mechanism. The film is filled with Watney quips as he deals with the harsh Martian world. Matt Damon is brilliant as the plucky astronaut that is determined to survive.

7). “It Follows”  (2015)



Photo courtesy of RADiUS-TWC

For nineteen-year-old Jay (Maika Monroe), life should be all about school and boys. After having sex in what should have been an innocent sexual encounter, she finds herself having visions and the feeling that she is being followed.  This movie is a scary, inventive horror film that keeps building the suspense until the very end.  The film is very reminiscent of the classic 1978 John Carpenter film, “Halloween,” right down to a perfectly matched musical score.  I loved the performances of the very young cast including Maika Monroe. If you are a fan of horror or suspense films, you will want to see this one.

8). “Trainwreck”  (2015)



Photo courtesy of Universal Pictures

Amy (Amy Schumer) has spent her whole life thinking that monogamy was not for her. Then she met Aaron (Bill Hader), and her world changed.  I loved this romantic comedy with a twist. Usually, it’s the guy who is a cad and whose life is changed when he meets the girl. This film turns that idea on its ear as Amy Schumer plays a woman who doesn’t want commitment, and, in fact, she wants the guy to leave as soon as sex is over. Cuddling to Amy is like a death sentence, and spending the weekend together is her idea of hell. Then she meets Aaron and, against every fiber of her being, she starts falling for him. Hader is exceptional as the straight man in the film, and he and Schumer work well together on-screen. Lebron James is funny as himself, playing Aaron’s best friend. James delivers lines with a comedic touch that a lot of current comedians can’t do. John Cena is brilliant as Amy’s go-to sex partner who develops feelings for her. This is Schumer’s film, and she is outstanding in the role, and she dominates the screen with her staggering timing. This is a film that delivers from start to finish, making it breathtakingly funny and touching at the same time. That’s something you rarely see in today’s comedies.


9). “Inside Out”  (2015)



Photo courtesy of Disney-Pixar

Riley (Kaitlyn Dias) is dealing with a lot in her young life; a move from the Midwest to San Francisco, a new school and having to make friends. Good thing she has emotions, Joy, Disgust, Sadness, Fear and Anger to help her cope. This film is destined to be a classic, in-line with other great Pixar films like “Toy Story” (1995), “Finding Nemo” (2003) and “Up” (2009). The film has a brilliantly written script and contains an inventive storyline. Amy Poehler is phenomenal as the character Joy, and Lewis Black is priceless as Anger. The film is funny, a joy to watch (no pun intended) and melts your heart. Though made in 3-D,  it’s not necessary to see the movie in 3-D as it didn’t add anything to the experience. Don’t miss this film that the whole family will fall in love with and teaches us, it’s OK to have feelings.

10). “Love & Mercy”  (2015)



Photo courtesy of Roadside Attractions

The story of Brian Wilson, the talented but troubled songwriter who led “The Beach Boys” to the top of the charts. This is one of the better films of the year. You wouldn’t think that two different actors (in this case Paul Dano and John Cusack) could play the same man at different points in his life and make it work, but this film does. Dan is brilliant as the younger Brian Wilson, who, at the start of the film, has decided to stop touring and concentrate on songwriting. Cusack gives one of his better performances as an older Brian Wilson, who is strung out on drugs prescribed by his psychiatrist. I loved Elizabeth Banks in the role of the woman determined to help Brian escape the controlling clutches  of his psychiatrist (played by the always brilliant Paul Giamatti). This film gives you real insight into the brilliance of the slightly crazy mind of Wilson. It’s an astonishing bit of filmmaking and one not to be missed.

11). “Frame by Frame”  (2015)



Photo courtesy of Frame by Frame productions

In a country where taking a photo was once a crime; this documentary follows for Afghan photojournalists as they attempt to keep Journalism alive in a country that is just trying to survive. This moving and informative film shows the passion and courage of a group of people who are trying to inform the world about their country and the struggle of everyday life. The film uses interviews, past footage and cinema verite to show just how hard the daily strife to keep the truth flowing.

12). “Mad Max: Fury Road”  (2015)



Photo courtesy of Warner Brothers

In a world where everything and everyone are fought over, a man called, Max (Tom Hardy), just might be the man to restore order. If you haven’t seen any of the Mad Max films, don’t worry, though this one does reference the past films during the credits. This film gets moving right from the start and never lets up on the accelerator. The film is a blast to watch, and Tom Hardy is brilliant as Max. Even finer is Charlize Theron, who brings a tough, multilevel performance to the screen as Imperator Furiosa, a woman who is trying to escape to a better place. “is hilarious as Nux, a sad sack bad guy who can never get anything right. The action sequences are breathtaking, and there is so much going on, you might want to see this film twice. This is a car lover’s dream, as there is an array of custom cars of all types in the film, and it’s a usual world that director George Miller always creates. This world is not a place where you would want to live, but you will definitely want to visit.

13).  “Carol” (2015)



Photo courtesy of The Weinstein Company

Set in 1950s New York, Therese (Rooney Mara) is a department-store clerk who dreams of a better life. She meets and falls in love with an older woman, Carol (Cate Blanchett). This is a beautiful film that takes its time with the love story between Carol and Therese. It captures 50s New York City perfectly, as we travel from the posh, stylish settings that make up Carol’s life to the contrasting life of Therese and her hard-living friends. Blanchett is utterly mesmerizing as the sophisticated Carol, who set her sights on the slightly naive Therese. Rooney makes this film worth watching as she holds her own on the screen with the two-time Oscar winner Blanchett. You will be captivated by their story and will root for them to find a way to succeed in the world that works against them.

14). “A Girl Walks Home Alone at Night”  (2014)



Photo courtesy of Kino Lober

In a town that is full of people doing bad things, no one notices that there is a new woman (Sheila Vand), a woman who just happens to be a vampire. I loved this film, and it has one of the best soundtracks of any film of the  past five years. It’s very stylish, shot in black and white, with the main character, the mysterious woman, almost uttering no lines throughout the film. It’s a mixture of a  modern vampire film with bits of an Italian Spaghetti Western thrown in. Vand is perfect in the role of the woman who only comes out at night and wears a long, black cape. If you are a fan of horror films I highly recommend this one.

15). “Room”  (2015)



Photo courtesy of A24

At age 15 Joy (Brie Larson) was kidnapped by Old Nick (Sean Bridges) and placed in a shed in his backyard.   Seven years later, Joy and her five-year-old son, Jack (Jacob Tremblay) haven’t seen the outside other than the small skylight in the ceiling. Joy has a plan to get her son out, but it may kill her.  From the opening frame, you are pulled into the strange and small world of Joy and Jack. Director Lenny Abrahamson and screenwriter Emma Donoghue have crafted a film that fully immerses you the characters’ tiny world. We very quickly learn what Joy deals with on a daily basis, living in a space that is only 10 x 10 and having a child who doesn’t understand just how big, bright and loud the world is outside the walls of the room. I think Brie Larson is one of the best young actresses in Hollywood, and she gives another brilliant performance in this film, but the film is made by the performance of Tremblay. He more than holds his own with Larson and is the core of the movie. Jack is the center of the film, and it takes an impressive actor to pull it off, which he does with flying colors. Everything we see and hear is from the viewpoint of Tremblay’s character, which makes his performance even more remarkable. Tremblay plays Jack as a loving son who isn’t afraid to pushes back when he feels he is being wronged. It takes a strong personality to grasp a role like this, and Tremblay gives an intelligent performance that, while filled with childlike wonder, is also brimming with emotion that is beyond his young age. Without giving anything away, “Room” is let down a little by its 2nd half, but it’s not too hard a fall, and the film doesn’t disappoint with its ending. However, it’s the performances Larson and especially Tremblay that make this movie so emotional and powerful. Both actors, with Oscar-worthy performances give us everything they have and that, in this case, is quite a lot.

Click here for Mike’s full length review of “Room”

Honorable Mention:  “Sicario,” “Jafar Panaji’s Taxi,” “Mistress America,” “Straight Outta Compton.” “Me and Earl and the Dying Girl,”  “When Marnie Was There,” “Sunshine Superman,” “Wild Tales,” “Meru,” “Listen to Me Marlon,”  “The Diary of a Teenage Girl,” “Clouds of Sils Maria,” “Finders Keepers,” “The Walk,” “Mission Impossibl – Rogue Nation,” “Star Wars: The Force Awakens.”